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HandbookforAdventurer1

A HANDBOOK FOR THE PERFECT ADVENTURER
By Pierre Mac Orlan
Translated, with an introduction, by Napoleon Jeffries

Pierre Mac Orlan’s 1920 Handbook for the Perfect Adventurer was at once a paean to the adventure story, a tongue-in-cheek guidebook to the genre’s real-life practitioners and a grim if unspoken coda to the disasters of World War I. “It must be established as a law that adventure in itself does not exist,” Mac Orlan stipulates. “Adventure is in the mind of the one who pursues it, and no sooner is he able to touch it with his finger than it vanishes, to reappear much farther off in another form, at the limits of the imagination.” This handbook outlines two classes of adventurer: the active adventurer (sailors, soldiers, criminals) and the passive adventurer (sedentary parasites who draw sustenance from the exploits of the former). Roaming from battlefields to pirate ships to port-town taverns, and offering advice on reading, traveling and eroticism, Mac Orlan’s Handbook is ultimately a how-to manual for the imagination, and a formulation of the stark choice all would-be adventurers must face: to live or write.

Generally known as the author of Le Quai des brumes (the basis for Marcel Carné’s film of the same name), Pierre Mac Orlan (1882–1970) was a prolific writer of absurdist tales, adventure novels, flagellation erotica, and essays, as well as the composer of a trove of songs made famous by the likes of Juliette Gréco. A member of both the Académie Goncourt and the Collège de ’Pataphysique, Mac Orlan was admired by everyone from Raymond Queneau and Boris Vian to André Malraux and Guy Debord.

October 2013
4.5 x 7, 104 pp.
$12.95 US
978-1-939663-00-9

adventureis

Press

“A lovely little (pocket-sized!) volume that makes it easy for readers to carry it with themperhaps on their own over-active adventures…”
—M. A. Orthofer, The Complete Review

“It’s a zany, weird thing Wakefield Press has elected to give us here, and the more so for being dug from the beginning of the 20th century, where the pile of all Mac Orlan’s untranslated works lies.”
—Dennis James Sweeney, HTML Giant

First published in France in 1920, this freewheeling monograph responded to the era’s fascination with the adventure novel, a fascination due to weariness with analytical fiction and, in Mac Orlan’s formulation, ‘love stories in the national manner—which is to say, complicated with adultery.’”
—Michael Dirda, The Washington Post

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